| WAIL!. . . THE CBZ JOURNAL |
May-June 2000
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SPIRITUAL ADVISER ON ALL MATTERS FISTIC: Hank Kaplan FOUNDER/PUBLISHER: Michael DeLisa EDITOR-IN-CHIEF: Stephen Gordon ASSOCIATE EDITOR: Thomas Gerbasi WEBMASTER AND NEWS EDITOR: Ed Vance HISTORY & RESEARCH: Hank Kaplan, Tracy Callis, Matt Tegen, Harry Otty, Kevin Smith, Dan Cuoco, Larry Roberts STAFF WRITERS: Chris Bushnell, DscribeDC, Francis Walker, Dave Iamele, Katherine Dunn, John Vena, Rick Farris CONTRIBUTING WRITERS: Enrique Encinosa, Randy Gordon, Pedro Fernandez, Joe Koizumi, Mike Moscone, Dr. Ferdie Pacheco, Jim Trunzo, Barry Lindenman, Pete Ehrmann, Monte Cox, Matt Boyd, Alan Taylor, Arne Steinberg, Lee Michaels, Joe Bruno, Lucius Shepard, BoxngRules, Adrian Cusack, Phrank Da Slugger, Pusboil. . . . . . . . . . . . .. . . . . . . . |
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Mr. Lindenman returns with something truly unexpected. A boxing
interview with, "The Red Rocker", Sammy Hagar, former lead singer for Van Halen.
I have to admit to being surprised when I read it. I had no idea that Sammy was so
into boxing. This is not a casual fan. Mr. Hagar knows his stuff & is a hard
EDITORIAL
RINSING OFF THE MOUTH PIECE
In the nether-noir that is the cesspool essence of the sweet
science, it ain't often that a cynical mo' fo' like The Ol' Spit Bucket, gets to
feel freakin' loopy about any of the Grassy Knoll-like machinations of the
powers that be in boxing ...
Let's jez say the "manly art", has been involved in some snarky,
dire, circumstances, as it crept, crawled, & slouched toward the 21st
Century. Truth be told, even The Bucket has questioned his motivation for being
a boxing evangelist more than twice.
Gotsta tell ya folks, within the sturm & drang of the myriad of
boxing expose's in the press lately .... Boxing's royal flush down the
toilet bowl of public opinion, crescendo'd on June 28 1997, when Leg-Iron Mike,
committed the, "Munch In The Crunch".
That was followed up 2 weeks later by the Lennox Lewis-Henry
Akinwande, Elmo Doll hug fest & yet another heavyweight championship DQ...
From there to the turn of the millennium, with extremely fleeting exceptions,
it's been a sad, seriously twisted tale, too sorry to recount ...
The day after that aforementioned, dark night, of June 28,
1997, The Bucket & his partner, Mike Delisa, came within a C-hair of
shutting the CBZ down.
Maybe we were a little over-amped, but we both believed that
Leg-Iron had betrayed the sport to the point where it was indefensible ... &
it wasn't until the Johnny Tapia - Danny Romero fight later in 97, that Mike 'n
me felt even a scintilla of interest & hope within the squared circle.
Mike, who founded the CBZ, was adamant about shutting it down - I
was also... But, there had already been 3 years of hard work by us & a
myriad of contributors who had all found a voice within the hopelessness that is
the modern state of boxing.
Many decades ago, way back in the early stages of the 20th Century,
all the outlaw sports that captured the fascination of America realized that they
had to get their shit together or they would not be able to maintain credibility as a 'sport" & continue to hold the public
confidence. The "Black Sox" scandal of 1920, was the wake up call.
Take the NFL ... George Halas & his cronies were just
guys out to make a buck & break a few bones promoting pay for play football, during the golden
age of college football. This decidedly unattractive sport, was called, Pro Football. Instead of being carny hucksters taking their unsavory sport &
teams from town to town in a totally disorganized fashion (sound familiar, boxing fans?), they formed a league, called it The National Football League,
established rules & bylaws & gave themselves at least a semblance of the
mantle of "respectability".
Since those halcyon, bygone days, every organized sport in America
has done the same - & Baseball, had already instituted this concept in the latter stages of the 19th Century ...
So Whhhaaaaatzzzz Uuupppppp wit' Boxing???
In these pukingly politically correct times, boxing is a true
anomaly ...Everything else in modern day Sports America is categorized, organized &
corporatized into a seamless vacuum of advertising tie-ins to generate revenue flow ad nauseum, into the gaping maws of greed that seemingly keep
the American Economy healthy these days ...
Yeah, well .... The Bucket, could go on & on down this grim
& hopeless road, but I will attempt to focus & meander on with this introduction to an outstanding issue of the CBZ Journal which by the way has
just been given a name.
From this issue forward the magazine name for the CBZ Journal will
be known as, WAIL!, The Cyber Boxing Zone Journal ...
Once again, I digress ... The point of this diatribe is that thangs
ain't been so good for boxing in the latter stages of the 90's ... But I been seein' glimmers of hope way off in the distance ...
& boy howdy was the Ol' Spit Bucket surprised earlier this month when
upon opening the USA Today sports section, I saw a feature on boxing. Not just a
feature, but USA Today has instituted monthly rankings for the 8 traditional
weight classes. Not only that, but we are also gonna get a State Of Boxing report every month!
The USA's new boxing columnist is Dan Rafael. I 've spoken
with him a few times recently & found him to be an engaging fellow, very enthusiastic
& knowledgeable about boxing. This is a guy who actually knows & has seen the
8th ranked flyweight from Thailand, whoever he may be.
Impressive & very cool that they have chosen a guy that is so
into the sport. It's also impressive that a national, mainstream, publication like The
USA Today would make such a commitment to boxing.
For five years The CBZ has published the excellent rankings that
are put out by internet boxing maven, Phrank Da' Slugger. From now on we are also
going to include Mr. Rafael's rankings along with Phrank's. Naturally, there are differences in their rankings but since both of them are so impeccably
researched we will be presenting both sets from now on on our new Rankings page.
In an upcoming issue of Wail! we will have an interview with Mr.
Rafael, that I'm sure will prove to be of great interest.
Which brings me to the current issue. This one's massive folks.
There are just too many great articles to introduce them all but there are four that I
must comment on: First off we have two, new contributors, Adam Pollock & Dan
Cuoco. I'm very pleased to debut two terrific new writers like these! These guys are real good & I hope we get to read them for many issues to come.
We also have the return of two of my favorite writers Pete Ehrmann
& Barry Lindenman. Pete is a legendary boxing historian, whose meticulous research
has graced the pages of The Ring Magazine, since the 1960's. He returns with an interesting article about "Red"
Herring.
core boxing guy.
I'm really pleased that Barry brought us this fascinating
interview. So much so, that we will lead of the new ish with it.
We are also printing a very
interesting piece by Aram "Rocky" Alkazoff, the winner of our Sonny
Liston contest. Suffice to say, this article needed a disclaimer.
Enjoy!
Bucket
INTERVIEW
with SAMMY HAGAR:
METAL
MEETS LEATHER
By
Barry Lindenman
Who would have thought? One of rock and
roll’s biggest superstars is also one of boxing’s biggest fans. Affectionately
known by his fans as “The Red Rocker,” Sammy Hagar’s boxing roots date back to
the days when his father was a professional fighter. Fighting under the assumed
name of Bobby Burns, his father Robert Hagar was a respectable fighter back in
the‘30’s and 40’s. Early on, Sammy thought about following in his father’s
footsteps until the early 1960’s when groups like the Beatles and the Rolling
Stones turned him in the direction that would eventually make him famous around
the world.
After paying
his dues in the rock world much like a club fighter first pays his dues, Sammy
Hagar first gained fame and fortune in the early 1970’s with the band Montrose.
After tensions within the group forced him to leave Montrose, Sammy launched a
successful solo career in the mid 1970’s. Classic hits such as “I Can’t Drive
55” and “Three Lock Box” proved to the world that whether in a band or as a
solo artist, Sammy Hagar was a force to be reckoned with in the world of rock
and roll.
Despite being a success on his own,
Sammy Hagar’s music career took an unexpected turn in 1985 when he became the
front man for the legendary group Van Halen, replacing the departed David Lee
Roth. Sammy’s career with the band lasted twelve years, along the way producing
such hits as “Best of Both Worlds,” “When It’s Love,” “Runaround,” and “Right
Now.”
Sammy’s departure from Van Halen in 1996 also prompted the beginning of another career for
“The Red Rocker,” that
of entrepreneur. Sammy became the owner of the Cabo Wabo cantina in Mexico and
soon after began marketing his own brand of tequila. Unlike most rock stars whose
careers are destroyed by alcohol, Sammy Hagar’s career seemed to be fueled by
it. In 1999, Sammy bridged his love of
tequila and his love of music with the release of the song “Mas Tequila.” The
song became an instant hit and once again reestablished Sammy Hagar as a
successful solo artist in the world of rock and roll.
Throughout his life, Sammy Hagar
followed boxing as closely as his managers were following the music charts,
befriending many of the world’s best fighters along the way.
Despite his extensive touring schedule,
he often attends championship fights live and never misses a chance to view a
fight on television. One need only hear him talk about the sport to realize
that the same passion Sammy Hagar displays on stage as a rock icon, he also has
for the sport of boxing.
BL: I
know your father boxed, as a featherweight I believe. Is that how you first got
interested in the sport of boxing?
SH: Absolutely.
My father actually fought as a bantamweight, a featherweight and a lightweight.
He fought Manuel Ortiz seven times. He fought him five or six times as an
amateur and then I think a couple of times as a pro. My dad’s first eight
professional fights as a bantamweight were knockouts. The guy could really
punch. That was his trip but it ultimately ruined him as a fighter because when
he realized he could just walk in there, hit somebody and knock them out,
that’s all he tried to do. He got himself nearly beat to death. I think my dad
had potential to be probably be a great fighter but after a while, he would
fight anyone. It became a money thing for him. He had us kids and he had to
make a living. So he’d take a fight for a couple hundred bucks and fight a guy
that weighed 160 pounds. He didn’t care. My dad would pack his bags and get on
a bus with my uncle and go down to the border towns in California and fight
Mexicans for any amount of money, any size guy, on a minute’s notice. Later on,
he tried to make me a fighter.
BL: If
you yourself were a professional boxer, is there any particular fighter whose
style you would you try and imitate?
SH: Let’s see, one who
doesn’t get hit a lot! I fought more like a Black fighter. I was more like a
Sugar Ray Leonard type fighter. I was not a big puncher. My dad was a puncher
and he trained me so when you’re a kid, the first thing you learn when you’re
fighting a grown man is how to jab and move. My dad was so slow compared to me
that I learned to become a very fast jabber. That’s the style that I was
heading towards because I had brother who was three years older than me who was
also into boxing, and I had my father. Those were the guys who I always put on
the gloves with every day. Therefore, I learned to be fast.
BL: What’s your opinion about the current
popularity of women’s boxing?
SH: There’s
some pretty good fighters out there now. We all know about Christy Martin. She
does a damn good job but to be honest with you, I’m not big on women’s boxing.
It just kills me to see a woman get hit in the tits. It’s like a man getting
hit in the balls! They’re in there and they take all those punches. It can’t be
good for them. It’s just not flattering to see a woman get cut and spitting
crap out of her nose. At the same time though, I have a different opinion about
a woman than I do a man. I like to see a man get the shit beat out of him!
BL: Much of your
music contains direct references to boxing. For example, your pictured on the
cover of your greatest hits box set, “Unboxed,” in a boxing ring wearing trunks
with gloves around your shoulders. And at the end of your song “Mas Tequila,”
you say the phrase “no mas, no mas” which is what Roberto Duran said to the
referee when he quit against Sugar Ray Leonard. Are these boxing references
conscious efforts on your part are they just coincidence?
SH: Even
though boxing has always been such a big part of my life, they’re really just
coincidences. To this day, I’ll drop everything to watch a good fight. I own
Direct TV, only for boxing matches. You can ask my wife. I can watch any other
sport imaginable now, but I’m just looking for boxing all the time. Boxing has
always been part of my world. That photo of me in the ring was for a Rolling
Stone photo session in New York. I suggested Gleason’s Gym so the next thing I
knew I was dressed up in boxing gear. They used it in their book of greatest
“Rolling Stone” magazine covers and I decided to use it for the cover of my
“Unboxed” CD. The “no mas, no mas” thing just stands for anything no when
you’ve had enough. But when I use it, it’s about drinking shot after shot after
shot of tequila! That was a classic line though to use in a fight.
BL: A few years
ago, you recorded the song “Winner Takes it All” for the soundtrack of Sylvester
Stallone’s movie “Over the Top.” Did you ever get the chance to meet him and
talk boxing?
SH: Oh
yeah. We spent something like fourteen hours making that video. That was the
first
BL: If
you were part of a celebrity boxing match, what celebrity would you want to get
in the ring with and smack around for a few rounds?
SH: That’s
good. Let me really think about that for a second. There’s some people that bug
me even worse than some guys that I’ve been in bands with. It would have to be
Eddie (Van Halen).
BL: That
would be a one round fight for you though. That’s a cakewalk for you.
SH: Well
aren’t those the ones you want? Like I said, you want to be fast and not get
hit. That’s the name of the game.
BL: How did
your relationship with Ray “Boom Boom” Mancini first come about?
SH: I
was always a fan of Ray. I’ve always loved those kinds of fighters like Ray and
Arturo Gatti who get in the ring and are ready to die in there. Guys like that
have always been my favorite kinds of fighters to watch. In Ray’s case, I think
he became more famous for losing a fight probably than any fighter in history,
the way he lost to Arguello. People saw his heart and soul in that fight and everybody
fell in love with him, including me. My manager at the time, Ed Leffler, met
Ray at a restaurant in Los Angeles and told him that I was a big fan of his. It
turns out Ray was a big fan of mine as well. So we hooked up on the telephone
soon after and from that day on, I knew he was my kind of guy. Ray has become a
great friend of mine. He came to my wedding. He’s been to house many, many
times. He comes to my concerts whenever I play in LA. Because he’s such a great
human being, I really think the tragedy of the Duk Koo Kim fight affected him
tremendously. He’s one of the most sensitive, sweetest people on the planet. I
think that was devastating to him and he never really got over that.
BL: Any
plans to help out your good friend Oscar De La Hoya as he tries his hand at a
music career?
SH: Oscar
jammed with me at the Cabo Wabo (the cantina Sammy owns in Mexico). He came up
to sing with me on “I Can’t Drive 55.” It was so cool.
BL: Can he
sing?
SH: Yeah.
He was screaming. He wasn’t really trying to sing. But the guy’s handsome and
the girls love him. Why not try it? As long as it doesn’t interfere with his
boxing career, I would say more power to him. It’s really great to be able to
do other things. That’s the great thing about success. It allows you the
opportunity to at least try and do other things. He’s such a big star,
especially in the Latino community. God bless him. If he makes a great record,
I’d play on it. The main thing though is that Oscar is a great, great fighter
and he shouldn’t lose that desire that he has to fight. Walking out on a stage
is an easy gig compared to walking into the ring. If that starts to get good to
him and he loses his boxing drive and fire, that would be a real shame because
he’s one of the great fighters of all time.
BL: Besides Ray and Oscar, who are some other fighters that
you’re friends with?
SH:
Carlos Palomino is a gentleman and a really great guy. Ruben Castillo has
always been a buddy of mine. I met Jerry Quarry a couple of times. We sat and
watched some fights together at Ruben’s house. This was before he had his real
problems. I can remember being at Ruben’s house with Ray Mancini, Ruben, Jerry
and Mando Ramos watching Tyson and Razor Ruddock with the Jeff Fenech – Azumah
Nelson fight on the undercard. It was a pretty strong room that night. I don’t
know many heavyweights. Most of my fighter friends are in the smaller weight
divisions. I’ve always found boxers to be the nicest, most gentle people that
you’d ever meet.
BL: Who’s your favorite fighter of all time?
SH: I
think Sugar Ray Robinson was just one of the greatest ever. Muhammad Ali as
well. They were both such innovators of the sport. They brought new things to
the sport. They could stand right in front of you and not get it. That’s just
such an art. And now you got Roy Jones. At first, I liked Roy Jones. Then there
was a period when I disliked him. Then when he knocked out Virgil Hill with one
punch to the body. My God, it was like, wait a minute, this guy really is
great. It’s just such a unique style of fighting. It’s sort of what Pernell
Whitaker started. I think Whitaker was a great, great fighter. That guy could
stand right in front of you, and you couldn’t hit him. Those are the kind of
guys you want to see get beat all the time but you got to hand it to them. I
think Sugar Ray Robinson was the first of those kind of fighters. It’s tough to
find a better fighter than him.
BL: What’s
your favorite boxing movie of all time?
SH: Without
a doubt, “Raging Bull.” DeNiro was so unbelievable. He played my father in that
movie. That was my dad right there. Beating the shit out of his brother,
beating the shit out of his wife, hotheaded, accusing everybody of everything,
doing all the wrong shit. I got Goosebumps watching that movie. It’s one of my
favorite movies of all time.
BL: Of the
young fighters out there, is there anybody out there whose ability and style
you think can restore some credibility back to the sport?
SH: De
La Hoya certainly has the ability. I think Trinidad certainly has it as well. A
fight like the Morales – Barrera fight is all we need every once in a while. It
isn’t just the fighters that we need, it has to be the fight itself. We have to
see good fights. Look at De La Hoya. He fought Whitaker and Trinidad and now
he’s fighting Shane Mosley. He’s not ducking anyone. I think he’s doing a great
job for the sport. You can be the greatest fighter in the world but if you
don’t fight the right people, you’re worthless. I think Lennox Lewis has so
much potential but if he had Mike Tyson’s aggression along with his size and
skill, he would be invincible. He doesn’t have any gumption. He’s like me. He
doesn’t want to get hit.
BL: Powerful,
motivating type music (like the theme from “Rocky” and Survivor’s “Eye of the
Tiger”) often accompanies a boxer’s gym workout. What songs of yours do you
think would be good selections for a fighter to listen to in the gym?
SH: I
think a song that I wrote with Van Halen called “Get Up” on the “5150” album
has a lot of good boxing lyrics in it. Another song that I wrote with Van Halen
called “Dreams” really motivates you mentally to really make it happen and go
for it. If you’re listening to songs like these, you are not gonna quit.
They’ll drive you. It’s like having a good trainer.
BL: Knowing
the demands and potential rewards and pitfalls of both, would you prefer your
teenage son to become a rock star or a professional boxer?
SH: Certainly a rock star. In some respects, they’re very
similar. The careers are short lived. If you make it, there’s huge money and
unbelievable opportunities for about five years. They’re both a lot of hard
work though. People think that rock stars are people that do nothing for a
living. It’s the writing and the recording process that really takes up every
second of your time. It’s a lot like training for a fight. The performance is
like the fight. You stay focused for your two and ½ hours on stage. But when
you’re writing or recording, you have to be in dreamland. You can’t have any
distractions and you have to just let those ideas come.
BL: If you
were a professional boxer, do you think you would you call yourself Sammy “The
Red Rocky” Hagar or would you have something else in mind?
SH: I’m sure I’d be called “The Red Rocky.” It just kind of fits.
BL: Are any
other of your pals in the rock world also big boxing fans like yourself?
SH: A guy who’s not necessarily my pal because I’ve never met
him but I know that Billy Joel is a big boxing fan. Like myself, I think he
used to box too. My old drummer from my days with Montrose, Denny Carmassi, is
a huge fan. We’ve been to more fights together than any two human beings on the
planet. Denny is definitely a boxing fanatic.
BL: You recently had your hair cut off on "The Tonight Show" for the organization "Locks of Love", which makes hairpieces for those children who have lost their hair from disease and medical treatment. What do you think it would take for Don King to make a similar donation?
SH: That mop of his! I don’t think anybody would want that on
their head. I’d rather be bald.
A Modest Proposal for the Preservation and Improvement of Pugilism,
with Specific Emphasis on a General Response to the Fallacies of the Purported
Reformers of the Sport
Friends, have you ever seen a lousy fight? Lousy, that is, in any of the conventional ways -- match-up, performance, or result. If you have watched more than two fights you are certain to have seen one, so you need not feel unique. The effect on the viewer of a lousy fight, as we have defined it, frequently has one of two affects upon the viewer; it stirs the desire to (1) ban and abolish or (2) : (a) to overhaul and improve.
When a thing ceases to be an object of controversy, it ceases to be an object of interest.-- William Hazlitt, "The Spirit of Controversy (Jan. 31, 1830) Cleombrotus ceased to be a pugilist, but afterwards married and now has at home . . .a pugnacious old woman hitting as hard as in the Olympian fights, and he dreads his own house more than he ever dreaded the ring.
-- Gaius Lucilius, Epigrams, circa 131 B.C.
Reluctantly, I shall not seek in this discourse to address the former, although I reserve the option of rebuttal should the need arise to defend the uninterrupted participation in the sport by those who choose to do so. Number two intrigues me (scatological reference noted but ignored.)
How, then, may we "overhaul and improve" boxing without draining from it the noble and the beautiful? Before answering this important interrogative, we must move from the general to the particular, and muster a list of universal complaints. In short, what is it about modern boxing that has caused lawman and conman alike to explore ways of changing a sport that has remained essentially unchanged since the days of the Trojan wars?
One scientific survey has isolated boxing's chief ills: Lack of uniform rules, Alphabet organizations, corrupt promoters, sycophantic journalism, elderly round-card girls, and Max Kellerman. All of the varied and innumerable "solutions" are aimed at one or more of these issues.
Perhaps the most frequently cited "problem" with boxing is the lack of uniform rules. The reality is that boxing rules differ from jurisdiction to jurisdiction in only the most inconsequential of ways. Perhaps in one state a "standing 8-count" is allowed while another does not. Another venue may allow a ringside doctor to stop a fight while yet another empowers the referee only. Quibbles, as in fact the basics remain the same. In boxing, there are not major differences between jurisdictions -- there are no different Leagues -- one using a designated hitter another not. Indeed, I have never heard a fan complain --"Gee, I wish we were using Nevada's rules here in New York." So, no, despite what you hear, the lack of uniform rules is not a major factor.
Another problem cited by nearly all the pundits is the proliferation of "Alphabet Organizations." Each organization names his own champion, the multitude of title-holders, world and regional, cheapens the meaning of the word champion, and confuses all but the most diligent fan. And most are run by foreigners. The fans themselves are somewhat to blame for this however, as the promoters and networks soon learned that even a concocted title belt translates to increased attendance, viewership, and geetch. Promoters who ignore "titles" and put on good solid club fights without regard to the "alphabets" simply do not survive. Fighters, fans, and haberdashers love belts as tokens of victory. Looking more closely at the history of the sport, in fact, one must realize that during Regency Boximania each battle had at stake the opponent's "colors," and the winner would leave the ring with a visible token for victory. (The difference there was that no weight divisions existed and the only title was that of Champion of England). One might suggest, then, that one solution to boxing's problems would be to make every fight a championship fight of one sort or another; alternatively, we could eliminate all weight divisions and anoint the "Champion" based on pound-for-pound skills. These potential solutions, valid, though facile, shall be set aside for now.
A global view reveals that the dissatisfaction derived from the remaining problems can be distilled into one abused word: justice. Or, to be more exact, the perceived lack of fairness at the various levels of the sport -- fighters are unfairly ranked and fighters are unfairly awarded verdicts of the promoter-influenced judges.
The majority of complaints that cross over from the small pond of boxing journalism to the larger cesspool of modern day sports in America arise when from out of these waters rises a stench fouler than putrefied fish -- the odor exuded by the bad decision. Every decade has its shouts of "robbery" that bring forth the reformers, who deluge the press and public alike with suggestions of open scoring, public scoring, neutral judges, solvent judges, judging clinics, ad nauseum. To wit I respond -- "Punch and get out!"
We must recognize here and now that no two persons view a fight the same way. The record books are littered not only with those lousy verdicts recalled today, but hundreds more that no one recalls or cares about -- one example, of multitudes shall suffice: Ken Overlin losing to Billy Soose. Irrelevant, well, you are right. The history quickly obliterates all but a tiny fraction, preserved in great part by reprinted articles in Ring.
This observation leads us to the modest proposal referred to in our title. A proposal so simple that it is sure to be adopted to the joy of villagers throughout the land: Revert to No-Decision bouts.
I'll repeat that again, slowly: Revert to No-Decision bouts. No decisions have a long historical predicate in the sport. For many years, right through the 1930s, they were commonplace. No Champion lost his title on a bad decision in those days as the kayo was the sole arbiter. Respected journalists of the day rendered their opinion as to the winner, and each fan had his choice of a plethora of newspapers and verdicts. everyone was happy. So, Panama Joe Gans could cuff Jeff Smith mercilessly for 8 rounds and be declared the loser in one paper while the winner in another. Genius I say!
Recently a group of boxing writers made a splash by announcing that they were taking on the arduous task of compiling "valid rankings" for the sport. I call upon these same writers to support our proposal. They already voice there opinions on the fights -- it will be easier to implement no decision bouts than to vote on miniflyweights from the Philippines.
Hence, the sport will be saved. Luckily there are a plethora of well-informed journalists in the sport, with more added every day. Indeed with the web, every fan can be a journalist, so everyone can decide his own winner. As Bones McCoy said of a scheduled brain transplant --"It is so simple even a child could do it!!"
To recapitulate, the salvation of the sport mandates the following ---
Spread the word -- salvation is at hand. You can thank me with some hot chicken soup. Finis.
- Every fight shall be for a championship
- Each fan-journalist decides who wins, except for knockouts
- Journalists decide who rates for a title fight (except those that the eat free food in the pressroom)
- Youthful Round Card Girls Wear Thongs
Joey
Giardello: “I Thought I Could Beat Anybody” For the record,
in 1950 alone, Giardello fought 16 times. ‘Nuff
said.
Joey Giardello,
born as Carmine Tilelli on July 16, 1930, in Brooklyn, NY, was a fighter’s
fighter. With no amateur
background, Giardello, whose father was an amateur fighter, began his boxing
education in the pro ranks in 1948. He
scored a second round KO over Johnny Noel in Trenton, NJ, and a career spanning
19 years and 133 bouts began.
Giardello was
by no means a power puncher, and he was mainly known as a no-nonsense cutie in
the ring. He could make you look
bad, and while he could be flashy, he was a blue-collar worker who gained the
respect of his peers quickly.
One would think
that a fighter with little power would want to stray away from the heavy hitters
of the day, but not Giardello. “I
thought I could beat anybody. I feared no one,” said Joey.
“A slick guy would give me more trouble.
The punchers didn’t bother me. They
were slow.”
By 1951,
Giardello had compiled a 35-4-2 record, and was ready to take on top 10
contender Ernie Durando. Joey took a 10 round decision, and the boxing world began to
take notice.
Giardello’s
record in his next 12 bouts though, was a spotty 6-3-3.
This led top contender Billy Graham to deem Giardello a safe bet.
Joey was no such thing, as he took a ten round decision from Graham in
Brooklyn in August of 1952. A
rematch was held in New York four months later, and Giardello won a split
decision…until the New York State Athletic Commission stepped in.
Two NYSAC members illegally changed one of the judges’ scorecards, and
Graham was given the victory. But
Giardello didn’t sit idly by. He
sued and took his case to the New York Supreme Court, which once again gave
Giardello his rightful victory.
A third match
was fought with Graham in March of 1953, and Billy took a 12 round decision.
Giardello was a legitimate contender now, but he would not receive a
title shot for another 7 years, despite scoring victories over Gil Turner,
Walter Cartier, Tiger Jones, Rory Calhoun, Chico Vejar, Spider Webb, Holly Mims,
and Dick Tiger, with whom he split a pair of fights in 1959.
The win over
Tiger, in November of 1959, earned Giardello his overdue title shot, against
Gene Fullmer in Bozeman, Montana, for the NBA Middleweight title (April 20,
1960). As Giardello remembers, “I
thought I beat him. All the
newspapers said I beat him, but in his hometown, he got a draw.” The Fullmer
fight was a war, punctuated by dirty tactics from both men.
“He was buttin’ me and buttin’ me, and finally I got underneath him
and I came up with my head and busted his face.
We’re friends now though,” Laughed Joey.
The draw had an
effect on Joey, as he told author Peter Heller in the book, “In This
Corner”: “I thought that was it, though.
I didn’t think I would get another chance, because I didn’t have the
same heart into the fighting game.”
Giardello
continued to fight though, and after putting together a 9-5-1 record over the
next three years, he was matched with the legendary Sugar Ray Robinson, with the
winner to receive a shot at champion Dick Tiger’s title.
Suddenly, Giardello had his fire back.
“Mr. Ray Robinson was a great fighter, don’t get me wrong, but he
would not fight me,” remembers Joey. “Then
he wanted to fight Dick Tiger for the title, and Tiger said he would fight the
winner of Robinson and Giardello for the title.
So I beat him. In those days
it was hard to beat me. It’s all
according to how you train, and if I would have trained right, no one would have
beat me. I just wasn’t the best
training fighter.”
The win over
Robinson, in June of 1963, earned Giardello a December, 1963 shot at the world
championship. That night, December
7, was the high point of Joey Giardello’s career.
“Oh, that was it,” exclaimed Joey.
“I went all those years, 15 years, before I got the chance for the
world title. Robinson wouldn’t give it to me.
And Dick Tiger did.” Giardello
told Heller in “In This Corner”: “I was determined. If I was fighting a heavyweight, I could have beat him that
night…The only thing I remember is he couldn’t hit me…I knew this was it,
I’m thirty three years old, this was it.
I knew the postman don’t ring twice now.
I trained good.”
After losing
his championship to Tiger, Joey Giardello fought four more times, losing two,
with his final win coming over Jack Rodgers in Philadelphia on November 6, 1967.
Joey Giardello
retired with a record of 100-25-7, with 1 no-decision.
32 of his wins came by way of knockout.
He was inducted into the Boxing Hall of Fame in 1993.
“I want to be
remembered as a tough fighter who took no baloney from anybody” said Giardello.
“I wouldn’t want anybody to wreck my career, by saying bad things
about me to my children. I want
them to know who their father was.”
To the sons
of Joey Giardello, your Dad is a true champion. ADAM'S ANALYSIS By Adam Pollack SELLOUT
MOE AND HIS JEWISH HEAVYWEIGHT BY
ENRIQUE ENCINOSA
He
was the stuff that boxing lore is made of. They
called him "Sellout Moe" and he was a chunky old man with twinkling
eyes and a mischievous smile on his wrinkled face. In his youth he was a four
round fighter, a topnotch trainer and corner, manager of world champions and
contenders, but above all, Moe Fleischer was the king of matchmakers. There
was a time long ago, before television and computers, even before frozen
dinners and Hitler, when boxing flourished in America. In New York City it was
common to have a dozen pro cards in a single week, sometimes four or five
running on the same night in different neighborhoods of the Big Apple. Across
the river, in New Jersey, pro cards ran weekly in Newark, Jersey City and other
urban centers. The competition for fighters was fierce among promoters. To draw
crowds a boxing card needed to build up local heroes, often in tough fights,
and match together a show that would motivate the public to buy tickets even in
lean times. It
was the age of Moe Fleischer. At one time he was matchmaking eight cards a week
in three different cities. One of his fight clubs was so successful that it
experienced twenty-three consecutive sellouts, earning Moe his famous nickname. "I
liked that nickname," he once told me, "It sounds a lot better than
other boxing nicknames like "Fainting Phil" or "The Bayonne
Bleeder." I had a good nickname. The newspapers made it up…" Before
he became "Sellout Moe" he was just another kid from a poor Jewish
neighborhood in Manhattan. He worked in the mailroom of a New York newspaper
and would often run errands for a boxing writer better known for his expertise
with a gun, the legendary Bat Masterson. As a youth Moe dreamed of following
the path of Joe Benjamin, a neighbor who fought Terrible Terry McGovern, but
reality sank in after being trounced in his first two fights. Studying
to become a trainer, he worked corners almost daily. Although he was often
younger than the pugs he cornered, Moe showed such hustle that a top manager
named Slick Paddy Mullins offered him a chance to train a young prospect named
Sammy Cohen. Moe turned Cohen into a flyweight contender who traded leather
with Pancho Villa and Frankie Genaro. Moe
Fleischer, barely out his teens, earned his living training topnotch fighters
of the era, including the popular Jimmy Slavin, welterweight contender Sergeant
Sammy Baker and lightweight headliner Bruce Flowers. The greatest break in his
career came the same week Moe was wed. An offer was made for Fleischer to train
heavyweight Tom Heeney. "The Hard Rock from Down Under" was scheduled
to fight Gene Tunney. Unwilling to postpone his wedding or give up the chance
to work a heavyweight title fight Fleischer did both. He married, took Heeney
to the wedding reception and left on his honeymoon dragging his heavyweight
along. "We
would get up at five in the morning to do roadwork," Moe related years
later, "My wife was not very happy with the strange arrangement but she
had no choice. This was my job and I was committed to it, to a chance of a
lifetime." Heeney
did not beat Tunney but Moe established a friendship at that fight with a Cuban
fight manager named Pincho Gutierrez. The Cuban journalist turned boxing
entrepreneur hired Moe to work as trainer and booking agent for his squad of
young fighters. The two best were Black Bill and Kid Chocolate. Black Bill was a Cuban flyweight named Eladio Valdez, who borrowed his ring
name from an earlier Black Bill, a heavyweight who had fought Sam Langford. The
little flyweight was a lightning quick combination puncher, a veteran of
several years of pro fighting in Havana rings, often against bigger opponents. "Black
Bill was one good fighter," Moe said in one of our interviews, "He
could box, hit, fight inside or outside and he was slick, hard to hit. He had a
lot of talent and he was in the top ten ratings for five years. I took him to
Canada and he beat every one of those little guys over there. He fought in New
York and won and lost with Corporal Izzy Schwartz and fought a thriller with
Willie Davis. The trouble with Bill was his training methods. He was a hard
worker at the gym but a harder worker with a woman, a bottle or a nightclub.
People talk about Kid Chocolate and his partying…I tell you Bill was worse. He
would get into street fights with bigger guys and get arrested. Bill drank,
smoked, gambled and chased every skirt he could find, even though he had a wife
that was twice his size…she weighed over two hundred pounds." Black
Bill, also called the Cuban Ink Spot, fought Midget Wolgast for the flyweight
crown in a New York ring, circa 1930, losing a tight decision. "By
the time Bill fought Wolgast." Moe said sadly "he was washed up. Bill
had suffered venereal diseases and was going blind and he hid it from me. When
Pincho and I found out we retired him, but it was a tragic ending. He had not
saved a nickel and was too troublesome to hold down a steady job. He drank
more, tried to kill his wife and then shot himself with a gun in a New York
boarding house. That was in thirty-four. Bill was a great little fighter but he
was a wild boy." "Chocolate
wasn’t easy either," Moe said, "he was a great champion but he threw
his money away in expensive suits, loose women and sleek cars…but he was some
fighter. I think he was the greatest fighter I’ve ever seen, and I’ve seen them
all. He could do everything and I saw him make some moves I’ve never seen other
fighters make. He was so fast, that he would hit you three times with the same
jab before you realized he had thrown the first one…Once we were fighting up in
Pennsylvania and I left the dressing room for a few minutes. When I returned, I
smelled gas. Someone wanted the local boy to win badly and they could have killed
Chocolate with that open gas line. By fight time the Kid was woozy and I wanted
to cancel the fight but the Kid insisted he could beat the local boy even
drugged up. I beat him Moe-he said-I beat him. I was worried but Chocolate won
every round. It was all instinct. He was a natural, the best fighter I’ve ever
seen. If he had not whored around he would have been champion for ten
years." Kid
Chocolate had a career record of 132-10-6 with 50 KO wins. Sellout Moe worked
with Chocolate in more than eighty of those bouts. My
favorite Sellout Moe anecdote took place in the bleak days of the Great
Depression. "Times
were tough," Moe said in an old interview "but a man could get by on
twenty dollars a month. I paid seven dollars rent for a nice apartment in New
York. I was making ends meet but I was busy matchmaking in New York and Jersey
and shipping fighters to other states. One day I get a call from a promoter in
Connecticut. He tells me he has a local fighter who’s drawing good crowds and
he has a Jewish convention in town and he needs a Jewish heavyweight for a
sell-out. The purse is fifty bucks, which means a lot in those days. I could
live for a month on my share of that fight, so I tell him I have a Jewish boy
named Abie Cohen and we make the deal." Moe
had no Jewish fighter but he did have an Irish veteran named Hynes who was
willing to wear a Star-of-David in his trunks in order to feed his family. On
the train ride over to Connecticut, Moe darkened Hynes graying locks by
applying a burnt cork to the club-fighter’s scalp. Hynes
was nervous by fight time. His opponent was a well-muscled, large, black
heavyweight. At the time of his introduction as Abie Cohen, the Irish boy did
something out of reflex that he had done in seventy-five previous fights: he crossed
himself in a typical Catholic gesture. "The
Jews in the audience gasped," Moe related, "but I told the promoter-
Abie is of mixed blood. His mother is Catholic and his father is Jewish." Hynes
hit the local boy a few good body shots and was repaid with a booming right
hand that decked him at the end of the round. Abie Cohen returned to his corner
on wobbly legs." "I
had paid a kid to work the corner with me," Moe said, "and he started
sponging water on Hynes head. To my horror, the black soot from the burnt cork
started running down his face. It was Abie Cohen’s last fight. Hynes got
stopped in the second and we were fined twenty bucks but with the thirty left
over we had enough to pay the bills for a few weeks." Moe
continued to work in the fight game, earning his nickname based on twenty-three
straight club sellouts. "Like
all matchmakers I had to give the local hero an edge," he said of his
matching techniques, "but not too much of an edge. I made competitive
fights." Moe
slowed down during the fifties, not liking the characters that controlled the
fight game. When his wife died in the sixties, Sellout Moe wanted to die also.
He was despondent but was rescued back into the boxing trade by the Dundee
brothers. "They
saved my life," Moe said to this writer, "Chris said –Come on down to
Miami Beach, Moe. Angelo has lots of fighters and we need someone we can trust
to work with the promotions. This gave me a chance at life…I’ve known Chris
since we were boys. Chris managed Midget Wolgast and we worked opposite corners
when I had Black Bill…and Angelo I’ve known since he was a kid hanging out in
the gym learning the trade from Ray Arcel." For
over two decades Moe worked at the Fifth Street Gym, where he worked with young
fighters and old journeymen. His glory days were not over, for Moe took on a
young prospect from the Bahamas named Elisha Obed, molding the raw talent into
a world champion. "Obed
was a good fighter," Moe recalled, "He had a long reach, a solid
right hand and good reflexes. I traveled all over the world with him, to Paris,
to Brazil and Germany. He was the first world champion from the Bahamas and
they treated me royally every time I visited Nassau. It was fun." Even
living legends pass on. Moe died before the beloved Fifth Street Gym was torn
down. His wake was held at a funeral home in Little Havana, a fitting place for
a last curtain, for Moe had been an important part of Cuban boxing lore. Ferdie
Pacheco, Angelo and Chris, Frankie Otero and Hank Kaplan were there, as was Joe
Robbie, the sports entrepreneur. It
was Moe Fleischer’s last sellout room. Enrique
Encinosa can be reached at encinosa@hotmail.com Jose
Napoles By
Rick Farris A
few months later I got a little longer look at the future welterweight king when
I saw him flatten Ireland's Des Rea in five rounds on the undercard of a featherweight
main event featuring Dwight Hawkins and Frankie Crawford at the Forum. Pernell Whitaker Vs. Gods, Monsters, and Superheroes Diary
of a Young Heavyweight – First of a Series Clifford
“The Black Rhino” Etienne As
told to Thomas Gerbasi
Clifford
“The Black Rhino” Etienne is a 30 year old heavyweight prospect.
Etienne is currently 16-0 with 11 knockouts.
His most recent victory was a unanimous 10 round decision over highly
regarded Lamon Brewster on the debut of HBO’s KO Nation Series. Etienne
was a standout student and athlete in high school.
His prowess on the football field earned him recruiting interest from
Oklahoma, LSU, and Texas A&M. “I
was born in Lafayette, Louisiana, but I grew up in New Iberia.
My Mom and Dad kept a tight rein on me.
We stayed in the neighborhood, outside the city limits, in the country.
I was really a loner most of the time.
When I started coming up in school, and playing ball, I got really
popular. It
was something I wasn’t used to.
I just tried everything, and when they started letting the reins loose a
little bit, I made some bad choices.”
Etienne
spent 10 years in prison, where he learned to fight at the age of 18.
“I
was 18. I
liked boxing. I
used to watch it, and I’d never miss it on TV.
No matter what, people are going to try you sooner or later.
You’re going to get in a lot of conflicts.
That’s human nature, especially when you’ve got a lot of men together
in one spot. I
handled myself like a real man the whole time through.
I respected everybody, and I was respected back, even from the wardens
and correction officers.
I didn’t have too many problems. “I
feel that because of the time I spent in prison I was preserved.
I haven’t been in any wars and took beatings.
I feel like I’m 23, 24.
My body is in good shape.
I’m not in a rush.
If there’s one thing I’ve learned, it’s patience.” Etienne
turned pro in 1998 under the auspices of agent Eddie Sapir and Promoter Leslie
Bonano. Don Turner soon joined J.C.
Davis as trainers of Etienne.
“Being a
fighter, you want to fight the good guys. You
want to make good first impressions. Even
if you’re not ready sometimes. My trainers feel like I’m ready to step up. I
know I’ve got over 100 years of experience in my corner.
It’s another confidence booster. But
I’m not short on confidence by a long shot.
I train hard, I work hard, I eat right, I live right. So I know that any time I get up in that ring, my opponent
had better have done the same thing himself.
I’m serious. When I get in
there, I’m like, I’ll take my time, do this, do that. But when I get in there and someone might catch me with a
punch or something, BAM! I just
kick it up a notch. It’s a war in
there. Etienne’s
work rate surprised observers, and made “The Black Rhino” a fighter to watch
in the heavyweight division. “They’re
gonna see a fight. They’re not going to watch heavyweights hugging and
holding. Because
my opponent’s going to have to fight when he gets in there with me.
Either he’ll fight or check out of the ring.
I throw a lot of punches for a heavyweight.
I work out like that, and I can fight like that.
I guess that’s why people are shying away from me.” Etienne
soon learned that a young and talented heavyweight does not find too many people
willing to fight him. Was it
frustrating?
“In
a way it is because I’m looking to step up, and I look forward to challenges,
but I take it as a compliment.
I’m a humble guy.
I do a lot of hard work, and I know that the only way I’ll get
something out of this is if I put something in.
So I put in a lot.
I love the game, man (laughs).
You’ve got to love it.
I get up in the morning, put my miles in, run hard.
After a fight, I don’t even stay home.
I just got married, and I was back in training camp a couple of days
later." Fellow
unbeaten Lamon Brewster stepped up to the plate in May of 2000, one of the few
ready to take on the Rhino. “He’s
a young guy, and he’s got skills. I’m
gonna put the pressure on him. He’s
never been knocked out, and I’m gonna see what I can do.
I’m gonna see if I can knock him out.
"I’m
making a statement every time I get in the ring.
I’m making statements to all heavyweights, not just the one I’m gonna
beat up in there…all of them. Come
in the ring, this is what you’re going to expect.
No less. "This
is my life. I’m at camp more than
I’m at home. I know that if I
sacrifice now, I’ll see the benefits in the future. I’m paying my dues.
I’m studying my craft, I watch films, I try to learn from the older
fighters, everything. My goal is to be heavyweight champion of the world.” CHARACTER MAKES CHAMPIONS
By Thomas
Gerbasi
From
1998 to the present, middleweight champions Bernard Hopkins, Keith Holmes, and
William Joppy fought a combined 16 times. Having
said that, it’s little wonder that the former Carmine Tilelli laughs when
asked about the state of the sport today. “Aw,
it’s terrible,” said Tilelli, who is best known as former world middleweight
champion Joey Giardello. “ 12 fights and having a title fight? Jeez, I had a hundred and something before I got one.
When they made so many champions, I stopped watching boxing.
Every fight was a championship fight.”
Giardello
held the middleweight crown for two years, before losing it to Tiger in a
rematch in October of 1965. As champion he won two non-title ten rounders over Rocky
Rivero, and defended the crown with a clearcut 15 round decision over a hard
punching challenger, Rubin “Hurricane” Carter.
The unanimous decision over Carter did not invoke any controversy until
35 years later, when a movie chronicling the life of Carter hit the Silver
Screen. In the movie, Carter is
shown walloping Giardello, only to be robbed of a win by a racist decision.
This obviously didn’t sit well with anyone who saw the fight,
especially Joey Giardello. “I was
the type of fighter who liked to win for my family, and for something like that
to happen, it hurt. I was very
discouraged about it.” A
defamation lawsuit was later filed by Giardello, who said of the Carter bout,
“He was just another guy. I had
boxed for almost 20 years, and I had fought Ray Robinson and every tough fighter
out there. It was just a regular
fight.”
THE STORY WAS WALCOTT
Ever since the May 25, 1965 first
round knockout of Sonny Liston by Muhammad Ali in their heavyweight championship
rematch, debate has focused on whether Liston threw the fight. Regardless
of whether he intended to throw the fight, the focus should not be on Liston as
much as it should be on Jersey Joe Walcott, former heavyweight champion and referee
for the fight.
It is clear that Sonny Liston was struck by a quick right hand from Muhammad
Ali and fell to the canvas. The punch that dropped Liston was so quick
that many did not see it and called it a phantom punch, speculating that Liston
went down without being hit at all. Slow motion film of the bout revealed
that Ali's rapid fire right landed on the left side of Liston's jaw as Liston
came forward with a left jab. Liston's head can be observed jolting from
the punch.
Despite the fact that the punch landed, many question whether the punch had
enough force to drop Liston. Force equals velocity multiplied by mass.
Clearly Ali's punch was extremely fast. However, many felt the element of
mass was missing, that Ali's body was not behind the punch. A careful viewing
of the fight film, especially from a rare side view shown on the ABC
rebroadcast, indicates that more of Ali's body was behind the punch than was
apparent from the frontal view. Rocky Marciano commented that the punch
appeared to begin as an arm punch, but at the end of the punch, Ali does appear
to put his body behind it. What is of most importance is not how much mass is
behind the punch at its beginning, but at the point of impact.
However, Ali was never known as a great puncher. In Muhammad Ali's entire
boxing career, his only first round knockout was against Liston. Ali went the
distance with men like Joe Frazier and Ken Norton. George Foreman stopped
each in two rounds. Foreman has said that Liston never
backed up from him in sparring. "I was afraid of him. You
didn't want to be in there too long with him." If Foreman couldn't
back Liston up, how could Ali stop him? It seemed odd that Liston, who
had never been knocked down previously, who was considered to be amongst the
strongest
heavyweights, should be dropped by one Ali punch.
Some noted that Liston was observed with and had probably worked for members of
the mob. It was suggested that they might have bribed Liston.
Perhaps Liston simply had no heart. What was lacking internally to
motivate him to rise from the stool after the sixth round in the first fight
may have affected his mental ability to take a punch in the second fight.
The drive, desire, and confidence may have been absent.
On the other hand, the Ali blow was quick, and there is a saying in boxing that
it is the punch you do not see that causes the most damage. Additionally,
Liston had moved forward with his own mass with his left jab. His own
body weight propelled into Ali's fist, increasing the impact of the blow.
As fighters age, they often do not take a punch as well. Some speculated
that although Liston was listed as thirty-one, he was probably closer to
forty. As his birthdate is unknown, so too is his age.
Lack of activity can also diminish a fighter's ability to take a punch. Other
than the six round beating Ali handed him on February 25, 1964, Liston had not
fought many rounds. He had stopped Floyd Patterson twice in the first
round, on September 25, 1962, and in the rematch on July 22, 1963, prior to his
loss to then Cassius Clay. Accordingly, Liston had fought only eight
rounds in approximately two and a half years. Liston was reportedly in good
condition prior to the bout, but then it was delayed as a result of an Ali injury.
Some believed that Liston lost his conditioning and sharpness following the
delay. Furthermore, if Liston had wanted to throw the fight, why would he
choose such a punch? He was hit with what appeared to be a more powerful
and solid right a bit earlier in the round. Surely he could have dropped
from that punch if he wanted to throw the fight.
There is no definitive proof that Liston took a dive. It is clear that Liston
was hit. It is also clear that Liston arose from the canvas. There is
nothing in boxing that says you cannot go down from a punch. After being
knocked down, Liston at first struggled to rise, and then finally did.
After returning to his feet, he and Ali resumed the bout. If Liston truly did
not want to continue, he could have remained flat on his back and pretended to
be knocked out. However, that is not what happened. Liston arose
and continued, just as many fighters do when they are knocked down. At
that point, Liston did what we would expect any champion to do. Regardless
of whether Liston went down legitimately, he arose and was prepared to
continue.
While it is unclear whether Liston legitimately went down, it is patently
obvious that Jersey Joe Walcott's actions as referee were improper.
Referee Jersey Joe Walcott did not stop the bout because Liston was unable or
refused to continue. Rather, the bout was stopped because Walcott decided
to stop the bout without providing Liston a count. Therefore, it was the
intervening actions of the referee which superseded any allegedly improper conduct
of Liston. It is these actions which should truly be focused upon.
Judging the actions of Joe Walcott require no speculation. However, in fairness
to Liston, Joe Walcott's history deserves as much scrutiny as has been provided
Sonny Liston. The Ali - Liston rematch was not Joe Walcott's first
involvement with a dubious first round knockout.
On September 23, 1952, Jersey Joe Walcott was well ahead on points and on his
way to successfully defending his heavyweight title against Rocky Marciano.
Although Marciano had landed big punches, Walcott had taken them well, and had
even become the first man to deck Marciano. However, the cumulative effect
of Marciano's blows had sufficiently softened Walcott for a Marciano
bomb. In the thirteenth round, Marciano landed a thunderous right cross
to Walcott's jaw, which knocked Joe out. Marciano had scored a comeback
victory.
On May 15, 1953, Marciano and Walcott fought the rematch. In this bout,
Walcott did not demonstrate his superior boxing skills in order to mount a
points lead as he had in the first bout, nor did he demonstrate the powerful
counterpunching which had floored Marciano. This time Walcott was hit by
a single right hand which dropped him in the very first round. Walcott
almost immediately sat up and looked at the referee giving him the count.
Walcott appeared clear headed, looking at the referee and observing the
count. As he had his legs outstretched, he needed to bring them underneath
him to rise from the canvas. However, Walcott did not attempt to rise until the
count of nine. By the time he arose, the referee had counted to
ten. Joe Walcott had been stopped in the first round.
Although it seems clear based on Walcott's demeanor that he could have risen
early in the count, begun to rise early in the count, or placed his legs
underneath him so he could rise quickly when he needed to, he did not take any
course of action other than to sit up and look at the referee counting over him
until "nine" was reached. At that point, it was too late to
begin the process of getting his legs under him and pushing off the canvas with
both his legs and fist.
Jersey Joe Walcott, the man who had given Marciano so much trouble one year
earlier and taken his blows for thirteen rounds, the man who had arguably
defeated Joe Louis in one bout and was ahead on points in a second prior
to being knocked out in the eleventh round, had been officially knocked out in
the first round. Previously, the earliest Walcott had been stopped was
six rounds, by Abe Simon back in 1940.
Immediately following being counted out, a clearly cogent Walcott protested in
vain. Following the bout, the forty year old Walcott announced his
retirement. The question to this day remains, 'Why didn't the
clear-headed Walcott even attempt to rise earlier?' From the visual images
alone, Walcott was more able to rise in 1953 than was Liston in 1965.
Although not a referee by trade, the inexperienced Jersey Joe Walcott was
appointed to referee the Ali-Liston rematch. When the fight was introduced
by the ring announcer, Walcott was conspicuously missing from the
picture. He was late entering the ring. This was an ironic harbinger
of things to come.
By rule, Ali was required to go to the neutral corner following a knockdown.
Following the Liston knockdown, Ali taunted Liston and began dancing about the
ring in delight. Ali failed to go to a neutral corner, and the
inexperienced Walcott was unable to send Ali to the neutral corner. At
first Ali circled the ring, hovering over Liston. Walcott attempted to catch up
with Ali. Finally, Walcott directed Ali to a neutral corner, who then
disregarded the direction, continuing to circle the ring with his hands
raised. Thus, at no point did Ali go to the neutral corner and remain
there until directed to approach ring center by the referee. Ali
completely disregarded the rules, and
Walcott never enforced them.
The neutral corner rule had been around for decades. The rule stated that
the ten count would be suspended until the fighter scoring the knockdown went
to the neutral corner. In the famous 1927 heavyweight championship
rematch between Jack Dempsey and Gene Tunney, Dempsey had knocked Tunney down,
but failed to go to the neutral corner as required by the new rule. It
was not until Dempsey properly went to the neutral corner that the referee
began counting over Tunney. Although Tunney arose at the count of nine,
he had been on the canvas for fourteen seconds. This lead many to debate
whether Tunney could have risen in time had the count begun before Dempsey went
to the neutral corner. Thus, the neutral corner rule had not only been a part
of boxing for over thirty-five years, but it was a famous rule as a result of
the Dempsey-Tunney bout.
Later modifications of the neutral corner rule provided that the count by the
ringside timekeeper would begin immediately, and the referee would pick up the
count from the timekeeper after directing the other boxer to the neutral
corner. In general, this occurs at about the count of four, but usually
no later than seven. At the very least, a fighter is provided three or
four oral counts by the referee so he can rise in time. If a fighter is
so recalcitrant as not to go to the neutral corner, then as a penalty for
failing to obey the rules, referees will not pick up the true count from the timekeeper,
but will suspend the count altogether, beginning it again only after the
fighter complies with his directions. Never will a referee penalize a
fallen fighter by not providing him a count at all as the result of the other
fighter failing to go to the neutral corner. Depriving the fallen fighter
the benefit of a count as a result of the actions of the scofflaw opponent would
provide a perverse incentive to fighters.
Failing to ensure Ali's presence in the neutral corner, Walcott either attempted
to pick up the count from the timekeeper or was distracted by Nat Fleischer,
editor of The Ring, who informed Walcott that Liston had been down for over ten
seconds. At that point, Liston had risen and engaged Ali again.
Following his discussions with Nat Fleischer and/or the ringside timekeeper,
Walcott finally turned around and again focused on the fighters. Walcott
stepped between the two combatants and terminated the bout. At no point
did Walcott provide Liston a count, as required by the rules. It is amazing
that Walcott was either unaware of the famous neutral corner rule or decided to
disregard it.
The purpose of a ten count by the referee is to provide a fighter the opportunity
to rise within ten seconds. By providing the fighter a count, the boxer
can know exactly when to rise in order to continue the bout. It is the
exclusive responsibility of the referee to provide the fallen fighter the
benefit of a count. A fighter cannot be counted out by the timekeeper or
a magazine editor. A fighter is never required to provide himself a count
and speculate as to when ten seconds have
elapsed. However, that is exactly what Joe Walcott expected Sonny Liston
to do. In the post-fight interview, Liston commented that he tried to
pick up the count, but was never provided one.
Not only did Joe Walcott fail to ensure Ali's proper presence in the neutral
corner, he failed to suspend the ten count, and failed to provide Liston a
count whatsoever. When Walcott failed to provide Liston this opportunity, he
deprived Liston the same clear opportunity to rise within ten seconds that he
had been afforded in his rematch with Marciano. In hindsight, it is
irrelevant that Liston was knocked down.It is clear that he arose and
continued. It is also clear that Walcott
failed his duties as referee. Joe Walcott, in terminating the bout, had once
again become involved with a controversial first round knockout, and should
properly be the focus of the Ali-Liston rematch. Ironically, and sadly
not a surprise in the sport of boxing, years later Walcott was
appointed the New Jersey State Athletic Commissioner.
Throughout
boxing history the welterweight division has been blessed with exceptional
prizefighters. Names such as Walker, Ross, McLarnin, Armstrong, Robinson,
Griffith and Leonard are just a few of the greats that come to mind.
However, another name cannot be overlooked when considering great 147 pounders,
Jose Napoles.
Napoles' nickname "Mantequilla" is the Spanish word for butter and
anybody who had the pleasure of watching this brilliant boxer perform
understands that Napoles’ style was as smooth as butter. It was a style
that combined great boxing skill, devastating punching power and cool control of
the ring. It was a style that created trouble for any opponent he
faced. I'd have to
say the best way to describe Napoles’ style is "timeless". It
was a style that could unravel the old timers and the new breed as well.
I had the opportunity to watch this great welterweight's career evolve into a world
championship during the years I was boxing. Napoles started out as a lightweight,
but had to take on the best junior welterweights and welterweights in the world
in order to get fights. Napoles beat them all in
convincing fashion until finally, with the help of a great promoter, a champion
finally gave him a title shot.
I'll give a brief run down of Napoles early career, however, my story
begins in 1968, about a year before he won the title. Although I never
boxed with Napoles, I know three men who challenged Mantequilla for the
title. Ironically, all three of these welterweight contenders challenged
Napoles for the crown twice. Much of my opinion of Napoles is based on
the words of these three men who know him far better than those of us who saw
him from ringside or watched him train in the gym. You get to know
exactly how great a fighter is, or is not, after banging it out with him for
fifteen rounds.
The three contenders whom I am referring to are Ernie "Indian Red"
Lopez, Hedgeman Lewis and Armando Muniz. All three were talented and
tough welterweights during the 60's and 70's, and all three agree that they
never fought anybody better than Jose Napoles.
Jose Napoles was born in Cuba on April 13, 1940. He made his pro boxing debut
in 1958, at the age of 18, and fought the first four years of his professional
career in Cuba. Between 1958 and 1961, Napoles put together a record of
17-1 (8 KO's) before fleeing the regime of Fidel Castro and making his
home in Mexico. Without the perils of living in a communist country,
Napoles would now have a chance to make a name for himself in the world of boxing.
Mexico was almost perfect for Napoles, a Spanish speaking culture and rich in boxing
talent. Many of the world's best boxers under 147 pounds hailed from Mexico
and the Cuban lightweight would have the opposition necessary to take him to
the next level. Of course, it wouldn't be easy. Napoles wasn't
a Mexican.
After sixteen months of inactivity, Napoles resumed his boxing career in Mexico
in July of 1962. Napoles quickly scored three straight knockouts before
winning a ten round decision over Tony Perez. In a rematch, Perez was awarded
a controversial decision over Napoles. Napoles scored two more victories
including a decision over the highly regarded Baby Vasquez before
losing again, this time in a ten rounder to Alfredo Urbina, one of the greatest
lightweights Mexico ever produced.
After losing to Urbina, Napoles went on a rampage and won 18 straight
with 17 knockouts, including KO's over Urbina and Perez in rematches. He
also defeated Junior Welterweight champs Carlos Hernandez and Eddie
Perkins, Adolph Pruitt and scored two knockouts over L.C. Morgan.
After losing on a cut to Morgan in their third fight, Napoles KO'ed
Morgan for the third time. From there, Napoles put together a string
of victories that would lead right up to a shot at the welterweight
championship.
In 1968, the legendary George Parnassus became the boxing promoter for the
newly built "Forum" in Inglewood, California. Parnassus had
promoted boxing for years in the Los Angeles area, as well as in
Mexico. Parnassus had a connection that would allow him to bring the very
best talent up from below the border to Los Angeles. He would feature the
very best Mexican stars at the Forum and it was here that many would become
world champions. Champions
such as Ruben Olivares, Chucho Castillo and Carlos Zarate won world titles in Parnassus
promotions at the Forum, and so did Jose "Mantequilla" Napoles.
Napoles made his U.S. debut at the Forum in Parnassus' initial promotion that featured
bantamweight contenders Jesus Pimentel and Chucho Castillo. I was anxious
to see Napoles and was at the Forum that night. However, Mantequilla
didn't give us a long look. He KO'ed Lloyd Marshall half way thru the
opening round.
Hawkins was the number one rated featherweight at the time and helped train me
for manager Johnny Flores. I had heard Flores and Hawkins talk about how great
a fighter this Napoles was and after seeing him in person at the Forum and in
the gym I had to agree. Anybody amazed by the talent of Roy Jones Jr. would
be a lot less impressed had they seen Jose Napoles up close.
In April of 1969, Jose Napoles would finally get a shot at World Welterweight
Champion Curtis Cokes. Napoles was 29-years-old and had been fighting
professionally and defeating the best for 11 years when he stepped into the
ring at the Forum before a sellout crowd of more than 18,000. Many of the
spectators had come up from Mexico in buses that Parnassus had chartered
and the sound of mariachis filled the arena. Mexico had adopted the
transplanted Cuban as one of their own and when Napoles climbed thru the ropes
the Forum exploded with excitement.
Napoles had his way with Cokes and battered the champion at well. After
13 rounds referee Dick young stopped the fight to save Cokes from further punishment.
Jose Napoles had escaped communism, defeated the best in three divisions
and now, after 11 difficult years was the Welterweight Champion of the
world.
Less than three months after winning the title, Napoles gave Cokes a
rematch and again stopped the former champion in the 13th round.
Like most champions of the era, Napoles didn't sit on the title between
title defenses and stayed sharp with several non-title fights which he won by
knockout. Mantequilla finished out 1969 with a unanimous fifteen round
decision over former welterweight and middleweight champ Emile Griffith in his
second defense of the title.
In 1970, Napoles KO'ed number one rated Ernie "Indian Red"
Lopez in fifteen rounds and scored two more knockouts in non-title
matches. Napoles closed out 1970 with his fourth title defense in Syracuse,
New York against Billy Backus, the nephew of former champ Carmen Basilio.
Backus was given little chance of beating Napoles. However, after
opening a cut over the champion's eye with a head butt in the 4th round,
the bout was stopped and awarded to Backus.
Six months later, on June 6, 1971, Napoles would regain his title by destroying
Backus in six rounds at the Forum. I was 19-years-old at the time
and had been fighting professionally for exactly one year. I was scheduled
to fight on the undercard of the Napoles-Backus rematch and
remember all the excitement in the dressing room after Napoles had regained the
title. I had won my fight that night but the biggest thrill for me was not
my win, but having Carmen Basilio compliment me after my fight.
Basilio had worked his nephew's corner that night and was kind enough to
recognize that I had done well in my fight.
My most vivid memory of Napoles took place six months later, as he
trained for his next title defense against Hedgeman Lewis. This would be
one of two championship fights at the Forum along with a World Bantamweight
title fight between champion Ruben Olivares and Jesus Pimentel.
I was one of Ruben Olivares' sparring partners for the Pimentel fight and each
day we would workout immediately following Napoles before a paying audience.
Promoter George Parnassus had his office at the old Elks Building, located
right off Wilshire Blvd. near Alvarado St. in downtown Los Angeles. Today
the Elks Building is the Park Plaza Hotel and sits right across from Macarthur
Park.
Parnassus had a gym set up in the ball room of the Elks Bldg. with a ring at one
end of the room against the stage and a couple of heavy bags, a speed bag and
double-end bag on the stage. People would pay $1 admission to watch the boxers
train and we'd usually have several hundred spectators for each workout.
I recall that former lightweight champion Lauro Salas, one of Parnassus'
friends who'd fallen on hard times, would collect admission at the door
and Parnassus would let Salas keep the money so as the former champ could pay
his rent and feed himself. Parnassus was a legendary promoter and had a
legendary soft spot in his heart for ex-boxers.
Boxers are some of the friendliest people you could meet but people don't realize
that most boxers, regardless of how nice, have a mean streak.
This was especially true of Jose Napoles.
One of Napoles chief sparring partners was an L.A. club fighter named Baby Cassius.
Baby Cassius (Eric Thomas) knew this all too well after sparring with the
champ. I remember talking with Baby Cassius in the dressing room following
one of his sparring sessions with Napoles. Both of Eric's eyes were
swollen and his nose was bloody. Cassius would moan, "All I
wanna do is earn a little Christmas money, but this guy is killing me".
He also told me that he knew Napoles was drinking because he could smell
alcohol on the champion as they were sparring. I didn't feel sorry for
Baby Cassius because he didn't receive any worse an ass whipping from Napoles
than what I (or any sparring partner) receives when trying to punch it out with
a great world champ. That's the business. However, one
incident involving Napoles between rounds of a sparring session will always
stick out in my mind.
Napoles had an assistant trainer in L.A. named Phil Silvers. I never
cared much for Silvers personally and it was obvious that Napoles didn't
either. Silvers job was to tie the champions gloves and give him
water between rounds of sparring sessions. One day, after pouring
some water into Napoles mouth between rounds of a sparring session,
the champ spit the water back into Silver's face. He then smirked and
turned around. Not even the wildest fans watching the workout made a
noise. I remember how surprised I was to see this, and obviously, so was everybody
else. "What a jerk", I thought.
A couple of days later I had a strange experience with Napoles myself.
One day after he finished sparring, I was warming up for my sparring
session with Olivares. I was punching one of the two heavy bags on the
stage and had my eye on Napoles as his trainer helped him slip on his bag
gloves. I wanted to see if Napoles was ready to hit the bag that I was
warming up on and if he
was I'd move to the other bag. Napoles was the champ and he could hit
whatever bag he wanted to hit. It was his show, not mine.
When I saw Napoles moving my way I assumed he wanted the bag I was punching and
I respectfully moved to the other bag. Napoles started banging away at
the bag and I began doing the same on the other bag.
As the next round started I saw Napoles approaching me out of the corner of my
eye and he tapped me on the shoulder. When I looked at him he motioned for
me to move away from the bag and pointed at the other bag. "No
problem", I thought to myself, and moved to the other bag. As
I'm punching the other bag I see Napoles heading toward me again and noticed a
few of his friends smiling. It occurred to me that Napoles was
either trying to play a joke on me, or intimidate me, or
whatever. Napoles again tapped me on the shoulder and waved me off the
bag. When Napoles began to hit the bag, I tapped him on the
shoulder and pointed to the other bag, then stepped in front of him and
began hitting the bag again. Napoles grabs my arm and I turn to face him.
In my mind, I had set myself up for an ass whipping by the welterweight champion
of the world. However, a fighter does not let himself get pushed around
by another fighter and I looked him directly in the eyes. We stood face-to-face
for a few seconds that seemed like hours to me. Napoles had a very
serious look on his face and I didn't know what was coming next. My trainer,
Mel Epstein, saw what was going on and quickly stepped in.
"C'mon Ricky, let's get ready for Olivares", he
said, trying to pull me out of the situation. All of a sudden
Napoles begins to smile and turns toward Epstein, motioning that it was
Ok for me to continue working on the bag.
I will never know what Napoles was doing but I assume he was having fun trying
to see how much I would take. One thing I did notice was that Napoles reeked
of alcohol. I was surprised, despite having this told me earlier by Baby
Cassius.
A couple of weeks later, Olivares stopped Jesus Pimentel in twelve rounds
and Napoles won a very close fifteen round decision over the flashy Hedgeman Lewis.
Lewis was a very flashy welterweight along the lines of a Sugar Ray Leonard,
but not the class of Napoles. I realized that Napoles partying had affected
his performance. three years later, Napoles and Lewis fight again and
this time Mantequilla would ruin Hedge. Lewis was never the same after the
beating he took from Napoles in this title fight.
The same was true with Ernie 'Indian Red" Lopez. Three years after
losing to Napoles in his first bid for the welterweight crown, Lopez was
given a second chance in 1973. After the beating Lopez took from
Napoles in this fight he was never any good again. I remember talking
with Lopez at the Main Street Gym in Los Angeles just a few days after his
second fight with Napoles. I told Ernie I thought he gave Napoles a good fight
and was shocked by Ernie's response. "I'll never fight that guy
again . . . for any amount of money!" These aren't the kind of
words that came out of the mouth of Ernie "Indian Red" Lopez.
At 34, Jose Napoles, a blown-up lightweight who had become one of the greatest
welterweight champs in history, challenged another great fighter, Carlos
Monzon for the undisputed Middleweight title. Napoles was stopped in seven
rounds.
Napoles defended the welterweight title fifteen times and when he was the undisputed
champ, something that no longer exists. his last two title defenses
were against a friend of mine, Armando Muniz.
Like Lewis, Muniz caught Napoles out of shape in their first match and almost
won the title. However, in the rematch held three months later in Mexico
City, Napoles had his way with Muniz and scored a unanimous fifteen round
decision win.
On December 6, 1975, after holding the welterweight title nearly eight years,
Jose Napoles would make his last defense of the title at age 35. Englishman
John Stracey would stop Napoles in his hometown of Mexico City.
After the fight, Napoles would announce his retirement from boxing after spending
more than half his life in the professional boxing ring.
When thinking about the great welterweights in boxing, don't forget the
guy they called 'Mantequilla". He was a true all-time great.
By Lucius Shepard
Thanks to Alex Hall’s brilliant
analysis in the April CBZ magazine of how future Hall of Famer Pernell ’Sweetpea’
Whitaker would fare against boxing¹s all time greats, we can put that topic to
rest and go on to consider how the Pea would handle even more powerful
opponents. It¹s clear that Whitaker would have no trouble with such
fringe contenders as Wolverine (or any of the X Men, for that matter), the Thing
(I’m talking the Antarctic vegetable guy here), and Hercules, but there are some
significant challenges out there, and I¹ve chosen a few that I think will serve
to measure Whitaker's greatness against a higher standard.
WHITAKER versus GODZILLA
It doesn't get much better than this--the ultimate contrast in styles.
The first few rounds are all
Godzilla as the Tokyo Trasher flattens the arena and most of the adjoining buildings
with ferocious stomps and tail smashes. But the ever-elusive Pea avoids serious
damage and by the seventh, Godzilla is breathing through his mouth, his flame
is sputtering, and he¹s leaning on the surrounding skyscrapers to catch a
blow. In the tenth, utterly fatigued, the big lizard drops to a knee and
takes an eight-count. With Godzilla wobbly and off-balance, Whitaker
delivers a
body shot that puts him down for good at 2:12 of the stanza, crushing a considerable
portion of the suburbs in the process. ‘I ain’t takin’ nothin’ away
from him,’ says the Pea. ‘That¹s a tough motherfuckin’ reptile. But
I ain’t no damn city jus’ gon’ set there and let him squash me.’
WHITAKER versus THE FLASH
Pernell’s the quickest lightweight around, but compared to The World’s Fastest
Human, he’s Turtle Boy. The Flash lands at will. Trouble is, he’s
got even less pop than the Pea, and he¹s moving too fast--the judges can’t
score what they can’t see (after all, they¹re not the PunchStat people).
The crowd jeers as Pernell chases the Flash round after round, unable to land
his own shots. In one of the most reviled and apparently uneventful title
bouts in history, Pernell’s ineffective aggression is enough to snag the
decision.
WHITAKER versus ZEUS
Those lightning bolts take their toll, but once the Pea brings the fight
inside, smothering Zeus’ power, he makes it easy for himself.
Accustomed to three-round Olympian bouts, the Father of the Gods fades badly
and is stopped in the sixth.
WHITAKER versus WONDER WOMAN
At first glance this looks like a breeze for the Pea, but given Whitaker’s
reputation as a party animal, you gotta give any babe with a bustier and a magic
rope a decent chance. If he’s in shape and focused, Whitaker by 3rd round
stoppage; if he's not, the Amazon Warrior Princess picks off his punches on her
golden bracelets and hip shakes her way to a unanimous decision.
WHITAKER versus THE JOKER
The gas-squirting lapel flower gives Whittaker lots of problems in the beginning,
and he takes a pounding over the first four rounds. But once he learns to
avoid the gas by staying low, he gains the upper hand. His posse starts
chanting, ‘Wait’ll they get a load of Pea!’, and only the arrival of Batman
thwarts the Joker’s henchmen from stealing the box office receipts.
The fighters spend much of the bout showboating and exchanging taunts, and
ringsiders give the edge in the verbal battle to the guy in the funny-looking suit;
but referee Mitch Halpern penalizes the Joker twice for making bad puns, and Pernell
retains the belt via controversial draw.
WHITAKER versus THE HULK
For the first two rounds, it’s a brutal mismatch. Whitaker has never before
absorbed such punishment and seems headed for his first KO loss. His only
hope is that the Hulk will lose interest and revert back to Doc Bruce
Banner. Midway through the third, however, the big
green guy mistakes Lou Duva for the female Hulk, becomes aroused, and chases
the jiggly septuagenarian off toward the dressing rooms. Whitaker by
DQ.
WHITAKER versus BRANIAC
Probably the only challenger whose talent for ring generalship outstrips
Whittaker’s, Braniac scores early and often; but he’s too old, too fat, and way
too mechanical. He quits on his stool after the fourth, causing his enraged
manager, Doctor Doom, to destroy Philadelphia.
WHITAKER versus SANDMAN
Like some pale wimp with an exciting haircut is going to be a match for the
Pea...C’mon! The Sandman’s got loads of attitude but no skillz to
speak of. He goes to sleep in the first, and Whitaker is seen heading for
AC with the cute Goth chick.
WHITAKER versus EVIL INCARNATE
The Pea’s toughest test to date. Darkness fills the ring, and Whitaker’s
screams are heard in the back rows. The Pea hangs in there for the full
twelve, but there’s no doubt in anyone’s mind as to who the winner is.
There is, however, one power even greater than evil--the co-promoter of the
bout, Don King--and two of the three judges vote for Whitaker. The Dark
Lord enfolds the judges in his black ring robe and vanishes with them to parts
unknown, an act that leads to his being suspended for thirty days by the Nevada
commission.
WHITAKER versus MAX KELLERMAN’S VISION OF ‘THE PEA’
On paper this one looks dead even, but once the bout begins it¹s clear that
Whittaker is no match for himself..at least not for the godlike pugilist
that the normally astute Mr. Kellerman envisions him to be. The KO
punch--thrown by Kellerman’s Pea at 2:03 of the first--is so powerful, it
serves to initiate a second Big Bang, thus creating a new universe populated entirely
by Pernell Whitakers, all of whom worship god in the form of a pale young guy
with gelled hair and a goatee.
Next Issue: Pernell Whitaker vs. the 4 Horsemen of the Apocalypse, the 7
Deadly Sins, and the LAPD.
To Be Continued…
Tyson and Golota: Two Peas in a Pod
By Adam Pollack
Recently, two talented fighters have
demonstrated their lack of character in the face of adversity, proving that
they are not great champions. Lack of character has impeded the
championship status of Mike Tyson and Andrew Golota. When seriously
challenged, rather than gutting fights out, these fighters have folded
mentally, incessantly resorting to flagrant foul tactics. The
character flaws of Andrew Golota and Mike Tyson explain their behavior, and
lend insight into what many believe are mysterious losses.
Part of what makes a fighter a great champion is character. A winner needs
the determination to believe in himself and to persist under the harshest of
circumstances. A great fighter does not quit or resort to fouling when
hurt or behind on points. Rather, he continues to fight hard, within the
rules, believing that no matter how far behind or hurt he is, he will
eventually wear out his opponent and prevail.
Just as character can help a fighter win, so too can lack of character lead to
a loss. Even talented fighters will lose the big ones if they mentally
fold when things aren't going their way. When a fighter lacks character,
he may quit when encountering adversity. Some fighters quit
by deciding not to continue. Some fighters quit by failing to give their
best efforts, doing just enough to go the distance, some quit by not training
properly, while others quit by getting themselves disqualified. When a
fighter with the character to gut it out in the face of adversity meets a more
talented fighter who lacks character, often it is the fighter with character
that wins the fight. The boxing public should not be surprised when this
happens.
Andrew Golota's character flaws cost him in his fights with Riddick Bowe and
Michael Grant. Most observers are mesmerized and confused by the fact
that Golota was ahead on points in these bouts before losing. However, although
ahead on points, he collapsed under the pressures of a tough fight.
Although he was winning the Bowe fights, Golota still took big shots throughout.
Against Riddick Bowe, he exerted himself more than he had ever done previously,
and suffered more punishment than he had ever endured. Golota found
himself in fights with a man who no matter how often and how hard he was hit,
wouldn't give up, and continued to throw hard punches back at Golota.
Under all of these physical and mental stresses, Andrew Golota lost his poise.
Boxing isn't simply about how well a fighter can dish it, but how well he can
take it and avoid it.
Especially in the second bout, when Golota was hurt and dazed or frustrated, he
immediately resorted to fouling. Although Golota was getting the better
of Bowe, Riddick mounted his own punishment, dropping Golota for the first time
in his career. Golota resorted to low blows in order to get out of
trouble after being knocked down. When he hurt Bowe and could not land
finishing punches as a result of Bowe's good rope-a-dope, Golota resorted to a
head butt. Golota was cut badly over both eyes, in part because of Bowe's
punches, and also in part because of his own head butting. Bowe showed
his grit and determination and kept fighting hard.
Late in the second fight, Golota was tiring, and Bowe landed a big right hand.
Shortly thereafter, tired, hurt, and frustrated, Golota failed to pass the test
of a winner, to take punishment and continue to fight and win within the
rules. Golota flagrantly threw at least three low blows in a row.
Although probably winning up to that point, Golota had failed to fight
intelligently enough to avoid punishment and fatigue which clearly affected him
more than Bowe, as indicated by his inability
to conform to the rules.
Decisions make champions. In both Bowe fights, instead of taking Bowe's punches
or avoiding them, failing to realize he was ahead on points, in the heat of
battle Golota could only think of his pain and frustration. He made the
conscious decision to fail to comply with the rules. Golota knew the low
blows would have an effect, because when he was hurt or frustrated, he wanted
to do the most damage. He didn't throw his punches at Bowe's head or
body. He threw them where he knew they would have the greatest
effect. Sometimes that is all it takes to lose a
fight and fail to be a champion.
Not only has Riddick Bowe twice defeated Andrew Golota, Riddick Bowe has proven
he is a better fighter than Andrew Golota. Some may argue that because
Golota was ahead on points before being disqualified, he is a better fighter
than Bowe. This is not the case. Bowe is the superior fighter
because he had the character to continue to fight hard even when he was hurt, unlike
Golota, who under the pressure of fatigue, the pain of Bowe's blows, and his
own frustration, folded mentally and fouled. Riddick Bowe took the punishment
and showed the discipline not to use the same flagrant foul tactics.
Regardless of whether low blows made
Bowe look badly or not, Riddick Bowe sucked it up, took the punishment, and
kept punching. Bowe wouldn't go.
In the end, it was Golota who folded. It does not matter whether Golota quit
on the stool, quit by going down, or quit by fouling. If you know doing
something will get you disqualified and you do it, you are essentially saying
'I quit.' Golota's fouls were committed over and over and over
again. Points kept being